Prompt

[Ulke/Sehir]

Create an 8-second ultra-photorealistic video of a huge practical-effects tsunami scene being filmed inside a professional movie studio.

The location above is recreated as an enormous physical miniature coastal city.

CITY ACCURACY IS CRITICAL.

The miniature must genuinely resemble the specified real location. Accurately reproduce its typical architecture, building density, facade materials, roof styles, balconies, streets, vegetation, terrain, waterfront, transportation style and recognizable urban character.

Do NOT create a generic coastal city.

If a country is entered, choose one recognizable coastal city from that country and keep the entire environment consistent with it.

Naturally include 1–3 recognizable local landmarks where appropriate, correctly integrated into the city rather than displayed like tourist attractions.

FILM SET:

Make it unmistakably clear that this is a real practical-effects movie shoot.

Visible around the miniature are:

professional cinema cameras,

camera crane,

tripods,

dolly tracks,

studio monitors,

large cinema lights,

metal trusses,

C-stands,

diffusion frames,

cables,

road cases,

equipment carts,

water pumps,

large hoses,

effects-control equipment,

crew members and blue chroma-key walls with orange tracking markers.

The filmmaking equipment must remain clearly visible throughout the shot.

SECRETLY RECORDED CAMERA STYLE — EXTREMELY IMPORTANT:

This video is NOT filmed by the official production camera.

It looks like a crew member secretly pulled out a personal smartphone and started recording the stunt without permission.

The person filming is standing partially hidden BEHIND filmmaking equipment at the side of the soundstage.

The camera should peek through a narrow opening between stacked road cases, light stands, cables and crew members.

The edge of a large black equipment case partially blocks one side of the frame.

Occasionally the shoulder or back of a nearby crew member briefly enters the foreground.

The framing must feel slightly obstructed and imperfect.

Do NOT compose the shot like professional behind-the-scenes footage.

It should feel accidental, unauthorized and spontaneous.

The smartphone is held around chest or face height by hand.

Use realistic smartphone-camera characteristics:

subtle handheld shake,

tiny nervous movements,

slightly imperfect horizon,

minor rolling-shutter movement,

brief autofocus hunting,

small exposure adjustments when bright water spray appears,

occasional micro-reframing,

natural phone-camera motion blur.

At the very beginning, the camera makes a small sudden movement as if the person has just secretly raised their phone and pressed record.

They slightly peek around the equipment to see the miniature city.

The camera operator does NOT smoothly track everything perfectly.

They instinctively move the phone left and right trying to keep the action visible.

When the tsunami comes closer, the person briefly pulls the phone backward in surprise before leaning forward again to continue recording.

No professional cinematic camera movement.

No perfect stabilization.

No polished promotional-video framing.

No smooth Hollywood tracking shot.

The resulting footage should feel like genuine leaked smartphone footage from someone who was not supposed to be recording.

ACTION:

0.0–0.5 sec:

The recording begins slightly abruptly from behind film equipment.

The miniature city and incoming-water setup are already visible.

An off-screen assistant director loudly shouts:

“Camera, action!”

0.5–1.5 sec:

A massive practical-effects tsunami rapidly rises from the far end of the water tank DIRECTLY IN FRONT OF THE CITY.

The viewer is positioned from the city side looking toward the incoming wave.

The tsunami rushes almost head-on toward the miniature city.

Heavy blue-green water, irregular crest, dense white foam, spray and mist.

1.5–2.0 sec:

The wave reaches the waterfront and destruction begins EARLY.

The first structures immediately begin failing.

2.0–7.5 sec:

The tsunami violently pushes through the miniature city.

BUILDING DESTRUCTION MUST BE EXTREMELY PHYSICALLY REALISTIC.

Buildings do NOT simply fall over like toys.

Water pressure first attacks ground floors, walls, foundations and structural supports.

Windows burst.

Walls fracture.

Columns buckle.

Facades tear away.

Balconies break.

Roofs partially collapse.

Lower structural sections fail.

Different buildings resist for different amounts of time.

Small structures collapse earlier.

Larger masonry and concrete buildings briefly resist the current before experiencing progressive structural failure.

When support is lost, buildings partially lean, buckle and collapse under their OWN WEIGHT.

Gravity always pulls heavy material downward.

Only after collapsing does the moving water push and drag the broken material forward.

Large intact buildings NEVER fly through the air.

Heavy concrete sections move slowly.

Smaller debris moves rapidly.

Some buildings partially collapse while neighboring structures remain standing for another moment.

Destruction spreads naturally from the waterfront deeper into the city rather than happening simultaneously.

Cars slide, collide and overturn.

Trees bend, snap and uproot.

Water accelerates between narrow streets, redirects around buildings and forms chaotic vortices, secondary flows and realistic turbulence.

Keep the wave impact visually powerful but physically believable.

7.5–8.0 sec:

The flood is still actively destroying deeper parts of the miniature city.

Water spray reaches toward the filming area.

Nearby crew members instinctively step backward.

The person secretly recording also quickly pulls the phone slightly backward.

The clip ends abruptly while destruction is still happening, as if the person suddenly stops recording.

VISUAL PRIORITIES:

1. Authentic recognizable real-world city.

2. Tsunami approaching the city almost head-on.

3. Extremely realistic progressive structural collapse.

4. Clearly visible professional filmmaking equipment.

5. Strong unauthorized secret-smartphone-recording feeling.

NO cinematic perfection.

NO professional BTS camera.

NO perfectly centered composition.

NO perfectly smooth tracking.

NO clean unobstructed framing.

NO CGI appearance.

NO videogame appearance.

NO fantasy wave.

NO exploding buildings.

NO intact buildings flying.

NO weightless debris.

NO synchronized collapse.

NO toy-like destruction.

NO people inside the miniature city.

NO people in the water.

NO visible water-tank boundary.

NO subtitles.

NO text overlays.

NO cuts.

The final result must genuinely look like a crew member secretly recorded an incredible practical-effects tsunami stunt on their phone from behind equipment on a real movie set.